Larrivée Supported Artists

Scott Southworth
Plays 000-40R, OM-03MT Custom, D-10, 00-03
"Balance, tone and a beautiful voice that has never once let me down."
Scott tours across the US and Europe, headlining festivals, theaters, playing pubs, house concerts, songwriter nights, coffee houses...no matter where he is, he has been proud to be playing one of his Larrivee Guitars since 2007.

Ryan Selan
The Lagoons
Plays LV-03
"I really love the sound and feel of my Larrivee. It's my go-to everyday guitar."
Ryan Selan is the lead guitarist and co-songwriter of The Lagoons. The Lagoons are made up of LA-raised brothers Ryan and Joey Selan. The duo's unique Southern California sound was first heard on their viral indie hit “California” which has gone on to be featured in the Netflix show "Easy", a Seiko ad, and a BMW/Golf Digest ad starring Kate Upton and Justin Verlander. They have gone on to release two studio EPs ("Gems EP" & "Escape EP") and two studio albums ("Midnight Afternoon" & "Daybreak") while completing two headline tours across the United States.

Kelsea Ballerini
Plays OM-03R
"My OM-03R is easy for me to move with and it sounds absolutely beautiful."
GRAMMY nominee Kelsea Ballerini has launched to stardom after releasing three consecutive #1 smashes from her critically acclaimed, GOLD-certified debut album THE FIRST TIME, the PLATINUM-certified “Love Me Like You Mean It” and “Peter Pan,” and GOLD-certified “Dibs,” making her the only female artist in Country music history, including female duos and groups, to achieve this accolade. The talented singer-songwriter wrote or co-wrote all 12 songs on her debut. Kelsea has recently joined Thomas Rhett for his HOME TEAM TOUR and is currently on Lady Antebellum’s YOU LOOK GOOD WORLD TOUR.

Brandon Lake
Brandon Lake
Plays OM-40 Custom Vintage
Brandon Lake is a GRAMMY® Award-winning artist and songwriter from Charleston, South Carolina. As a worship leader for gatherings around the nation, his purpose is to call followers of Jesus into a posture of freedom and confidence—creating space to declare truth as if it were a rumbling roar from the “lion inside of [their] lungs.” Lake has been nominated for five GRAMMY® awards over the course of his professional music career. In 2022, he was awarded his first GRAMMY® for “Best Contemporary Christian Music Album,” in recognition of the record, Old Church Basement. In 2021, he won the GMA Dove Award for “Songwriter of the Year” and “Worship Recorded Song of the Year” for “Graves Into Gardens.” “This is a Move,” co-written with Tasha Cobbs Leonard, won a 2019 GMA Dove Award for “Gospel Worship Recorded Song of the Year,” and it was also nominated for a 2020 GRAMMY® Award. Lake’s most recent full length albums include HELP!, which serves as a declaration of truth and a “me too” in response to anyone who struggles with mental health—while his album, House of Miracles, was released in 2020 with a desire for the songs to become beacons of hope in homes across the world. Believing that people have so much more inside of them than they think possible, Lake longs to see Christians “live free and to be everything that God has called them to be.”

Willie Watson
"I bought my first Larrivée 20 years ago, it was the sound I wanted for a lifetime"
For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. He’s a folksinger in the classic sense: a singer, storyteller, and traveler, with a catalog of songs that bridge the gap between the past and present. On Willie's upcoming release of Folksinger Vol. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him.
Southern gospel. Railroad songs. Delta blues. Irish fiddle tunes. Appalachian music. Folksinger Vol. 2 makes room for it all. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Long ago, the 11 compositions that appear on Folksinger Vol. 2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. The songs don’t actually belong to those artists, though. They don’t belong to anyone. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson.